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Chelated songs Turkish Another great albumMusic has seen Turkey since the Seljuk era to the present day developments in various fields. These fields are: classical music developed by the intellectuals in the cities of Turkish folk music that accompanied the man Anatolia for centuries and evolved his hand to becoming the lieutenant him in Sraih and Dharaih religious music and music spirited Ottoman knowledge Mahtr multiple vocal layers and Western music troupe that become familiar in Turkey after the establishment of the Republic as well as other items, which recently spread like pop, rock and jazz. Polyphonic music events in Turkey widened after the proclamation of the Republic. Under the guidance of Ataturk in Turkey began to move towards Western music to benefit from the advantages of global art and technology

These steps and began to move towards Western music by updating contemporary art musical instruments used as a base in the work and efforts of contemporary and popular Turkish music development and advancement of the levels of luxury. The fielding of students abroad to study world music and recruit senior professors to the country to take over teaching in conservatories, such as Joseph Marx, Paul Hendarmit and Carl Ebert and Béla Bartók

With the Ankara Higher Institute of Music in 1936, efforts intensified to deal with the folk music on the basis of sound pluralism theory of Western music as represented by the first generation of composers of the republican era, led by the musician Jamal Rashid Ri and Ahmed Adnan Segun and top beauty Arkin and Fred fire and the grass Kazem Oksas, they Ttelmzu and studied and graduated in the largest of the various western conservatories. The first generation Turkish emerging walked on the line of his teachers mentioned the generations who followed the school in the Turkish composer-strong Turkish folk music developed on the one hand with the dependence on foreign sources of music on the one hand

-Televizyonu açma-Telefona da bakma-Ne acıklı ne saçma-Sanki kıyamet-Her şey satılık-Kalplerde katılık-Aşklar yatılık-Akışta millet-Geri adım atma atma-Doğduk biz bu düzene-Ötekini üzen üzene-Olur mu ondan bize ne-Küfür kıyame-Kalpleri kıran kırana-Bi sor be gönül koyana-Nedir bu o yana bu yana-Kopuşta millet-Cuppa da cuppa cuppa-Bağıra çağıra bas bas-Sabaha kadar dans-Geri adım atma atma-Geri adım atma atma-Çaresi yok yanıcaz biz de-Birilerine kanıcaz biz de-Vurucaz dibe dibe önce-Elbette havalanıcaz biz de-Cuppa cuppa cuppa-Cuppa da cuppa cuppa-Bağıra çağıra bas bas-Sabaha kadar dans-Hey tayfa-Kalk kalk kalk hadi durma-Hey hey tayfa-Hey hey hey hey-Söz – Müzik: Sezen Aksu

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Other. Despite the disparity between the followers of this generation and patrons of style and concept to a large extent, the common feature among them was the Tersakhhm folk music and, thus distinguishing them for the features of the local folk and Alohagij in their compositions. Fdnan Segun, for example, has been studying the Turkish folklore and compiled an innovative approach on the follow-up to a nationalist stand aspirations and has played a large role in Turkish music through lectures and concerts presented by the foreign countries.